Spaceballs Found the Money
Rick Moranis came back, Mel Brooks found the money, and 'Spaceballs' arrived at Comic-Con with an eleven-phase cinematic universe. The flamethrower now looks restrained.
All Popkulturist film and television coverage, newest first. Some pieces wait until the credits have stopped rolling for good; others arrive before I've seen the thing at all, when the conversation around it is what's worth writing about. Criticism rather than coverage.
Rick Moranis came back, Mel Brooks found the money, and 'Spaceballs' arrived at Comic-Con with an eleven-phase cinematic universe. The flamethrower now looks restrained.
The Stuart spinoff premiered last night, at the end of day one of San Diego Comic-Con, and the laughter is gone at last. The new show gets a fair hearing here. The old one has run out of appeals.
The Disney film opening at my local cinema this week is called 'Vaiana'. Sweden has only ever known her by that name, and so has Germany, where the remake arrived a day ahead of the United States. Seen from a country where no film called 'Moana' has ever existed, the ten-year turnaround looks even stranger.
A free Australian YouTube cartoon topped cinema charts across Europe, then posted its finale online for nothing. How a Sydney studio beat the studios at their own game.
The villain of 'Toy Story 5' is a tablet. The studio warning your kids off screens is the one that taught a generation to sit still and watch.
Martin Scorsese has become an adviser to the German AI firm Black Forest Labs, and the film unions are furious. A note on what a famous name actually buys.
Last Tuesday at the press conference for 'Fjord', Sebastian Stan refused to laugh at a Trump question. Four days later, his director Cristian Mungiu took home the Palme d'Or for what he calls a meditation on "left-wing fundamentalism." Notes on what Cannes chose to crown.
'Darkman' aired on German TV one night in the early nineties. I was thirteen, maybe fourteen, already keeping mental lists of directors, watching a man in bandages set things on fire with a kind of glee I didn't know movies were allowed to have. The name in the credits was Sam Raimi.